Trifonov transfixes the audience with nuanced, highly addictive Beethoven

Daniil Trifonov’s opening piano solo crept in before he dazzled us with his customary sparkling scales echoing the same orchestral lightness of touch. Passagework emerged from nowhere and blossomed with an ascending flourish. Both soloist and conductor at times projected an intensity, especially in the quiet moments, where minimal movement created a tension waiting to be unleashed. This was a well-rehearsed performance full of contrasts, a partnership between equals and the result was very exciting. The cadenza, full of colour, poise and elegance, was a joy.

Lahav & the RPO — Lahav Shani conducting the Rotterdam Philharmonic Orchestra © Eduard Uslee

Bertie & Lahav — Lahav Shani, the Chief Conductor of the Rotterdam Philharmonic Orchestra with the British Assistant Conductor Bertie Baigent © Clare Varney

RPO — Dutch audiences love to give a standing ovation, but this is the quickest I have ever seen them on their feet! All acknowledging the departing leader, Igor Gruppman , after his solo in Ein Heldenleben, one of the hardest pieces in the orchestral repertoire © Clare Varney

Inside the foyer of the quite beautiful De Doelen concert hall, built in the 1960s © Clare Varney

Beethoven, Piano Concerto no. 1 in C major, Op.15
Bach C.P.E., Rondo no. 2 in C minor, Wq 59/4, H 283
Strauss R., Ein Heldenleben (A Hero’s Life), Op.40
Schubert, Marche Militaire, Op.51 no.1

Two of the fantastic front-of-house girls, showing such professionalism, and attention to detail. A real example to all in the business. © Clare Varney

Reviewed at De Doelen: Grote Zaal, Rotterdam on 12 January, 2023

Click here to read the full review on Bachtrack

Follow Clare Varney on Facebook or Instagram to read more about Music, Food and Culture

Trifonov transfixes the audience with nuanced, highly addictive Beethoven

Reviewed at De Doelen: Grote Zaal, Rotterdam on 12 January, 2023

Further Reading:

1 Comment