Trifonov transfixes the audience with nuanced, highly addictive Beethoven

Daniil Trifonov’s opening piano solo crept in before he dazzled us with his customary sparkling scales echoing the same orchestral lightness of touch. Passagework emerged from nowhere and blossomed with an ascending flourish. Both soloist and conductor at times projected an intensity, especially in the quiet moments, where minimal movement created a tension waiting to be unleashed. This was a well-rehearsed performance full of contrasts, a partnership between equals and the result was very exciting. The cadenza, full of colour, poise and elegance, was a joy. 

Beethoven, Piano Concerto no. 1 in C major, Op.15
Bach C.P.E., Rondo no. 2 in C minor, Wq 59/4, H 283
Strauss R., Ein Heldenleben (A Hero’s Life), Op.40
Schubert, Marche Militaire, Op.51 no.1

Reviewed at De Doelen: Grote Zaal, Rotterdam on 12 January, 2023

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Further Reading:

A well-crafted and impressive Mahler 3 from Claus Peter Flor and the Phion Orchestra