All eyes were firmly on Karina Canellakis in this her debut night conducting the Royal Concertgebouw Orchestra in a programme full of extremes of emotion. Canellakis is well known to audiences in the Netherlands as chief conductor of the Netherlands Radio Philharmonic Orchestra, and to audiences in the UK as principal guest conductor of the London Philharmonic Orchestra.
After a first half which featured German-American violinist Augustin Hadelich playing Sibelius’ Violin Concerto in D Minor, attention was turned to Wagner’s Prelude and Liebestod from Tristan and Isolde
Canellakis makes her debut conducting the RCO
Also on the programme, Scriabin’s Poem of Ecstasy
Last performed by the RCO in 2014, Scriabin’s Poem of Ecstasy concluded the proceedings. It requires quite a large orchestra – eight horns, five trumpets, six percussionists, one celeste and two harps. Principal trumpet, Omar Tomasoni was the star!
The orchestra had lots of new players this evening as the entire front desk of violins (deputy concert meister, Tjeerd Top was busy leading the Rotterdam Philharmonic) and nearly the entire lower brass section were missing, but still lots of the familiar faces.
Listen to some of my favourite recordings of Scriabin’s Poem of Ecstasy
Possibly my favourite recording of the Poem of Ecstasy, played here by the State Symphony Orchestra of the USSR and Evgeny Svetlanov on Medici tv
Read my review for Bachtrack
Read more from Clare
This concert was reviewed at the Concertgebouw on Wednesday 16th October, 2024
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